Wednesday, August 28, 2024
Unlocking the Secrets of the Ancients: A Guide to Manifesting Your Dreams
From Thought to Reality: The Alchemy of Imagination and Emotion
The Path to Divinity: A Journey of Self-Discovery and Transformation
Tuesday, August 27, 2024
The Kingdom Within: A Guide to Spiritual Awakening and Manifestation
#ManifestingWithTheAncients #InnerDivinity #SpiritualAwakening #SubconsciousMind #NevilleGoddard #LawOfAttraction #Mindfulness #SelfDiscovery #PersonalGrowth #SpiritualGrowth #AbundanceMindset #ManifestationCoach #CoachingServices #JasonBrazeal
Sunday, August 25, 2024
About Jason Brazeal
Jason Brazeal is a cultural anthropologist and artificial intelligence engineer who specializes in deep learning/neural networks and generative AI.
Jason has a past history of motion picture industry work and affiliation.
He has worked with legendary genre publications, publishers, film studios and talent.
Some of these include Famous Monsters of Filmland, Deep Red Magazine, Hammer Studios, MPI Video (Dark Shadows), Famous Monsters Chronicles, Space Monsters Magazine, Gore Shriek, FantaCo Enterprises, Cemetery Dance Publications and many others.
He has been directly involved with extending the legacies of 2 genre icons. Namely Forrest J. Ackerman and Chas Balun. Jason is a member of Chas Balun's Splat Pack, the group responsible for splatter punk and Deep Red magazine.
Jason is directly responsible for debunking the notorious Patterson Gimlin Bigfoot hoax by using his extensive knowledge of FX technology and suit deployments of the era to illustrate the revelations that the film itself gives to those with a trained eye and who know what to look for.
Jason is also responsible for debunking the Rock Ape myths of the Vietnam war by exposing them as a known primate species called a Red Shanked Doc Langur. Jason did this by uncovering pictures taken by the soldiers who referred to them as "Rock Apes" and identifying the species within that region as being the very primates featured in the photographs and by taking into account their known habitat and behaviors.
Jason is an enigma who has accomplished far more than the average human ever has or ever will.
A decisive engineer of pioneering and ground breaking technology, A cultural anthropologist and an ex film professional with a library of knowledge on practical makeup FX techniques and methods from the 1950s-1990s. He has worked on award winning film productions, filled in the shoes for 2 genre icons, is a member of an elite group at Deep Red Magazine and he owns Space Monsters Magazine, Babel Fish AI and AI Jeannie.
In addition to this, Jason is a mystic, who teaches conscious manifestation to clients of all types and demographics. His methods have helped many learn the truth of who they are and these methods have enabled these individuals to excel in anything they wished to create.
www.jasonbrazeal.net
#JasonBrazeal #CulturalAnthropology #Anthropologist #ArtificialIntelligence #AIEngineer #DeepLearning #NeuralNetworks #GenerativeAI #Horror #ScienceFiction #Fantasy #FilmIndustry #MovieMagic #SpecialEffects #Mysticism #ConsciousManifestation #PersonalGrowth #SelfDiscovery #Mindfulness #Spirituality #Innovation #Technology #Engineering #Science #Research #Academia #Expert #Authority #CulturalAnthropologyInAI #AIInFilmIndustry #DeepLearningInHorror #GenerativeAIInFantasy #MysticismInPersonalGrowth #ConsciousManifestationInSelfDiscovery #mpivideo #darkshadowstvshow #darkshadows #hammerfilms #hammerhorror #hammerfilmstudio #deepredmagazine #chasbalun #forryackerman #flrrestjackerman #monsterkid #classicmonsters #nevillegoddard #florencescovalshinn #manifestingcoach #lifecoach #mindsetcoach #fangoria #deepred #famousmknsterschronicles #goreshriek #spacemonstersmagazine #spacemonsters #johnchambers #johnchambersfxwork #bigfootdebunked #rockape #rockapeexposed #crypotozoologyisbadscience #cryptozoology #famousmonstersoffilmland #famousmonsters
Saturday, August 24, 2024
Patterson-Gimlin: A Hoax Unmasked
As I reflect on the feedback received regarding my article debunking the Patterson-Gimlin Bigfoot hoax, I am pleased to note that the majority of responses have been positive and appreciative of my efforts to shed light on the truth. However, I have also encountered some individuals who remain in denial or attempt to downplay the significance of the evidence presented.
Original article: https://www.jasonbrazeal.net/2024/07/the-bigfoot-hoax-exposed-jason-brazeal.html
It is essential to emphasize that simply dismissing the findings without providing concrete evidence to support such claims is not a viable approach. In scientific inquiry, the burden of proof lies with the individual making the assertion. In this case, I have presented a comprehensive analysis of the evidence, and it is now the responsibility of those who doubt my conclusions to provide a counterargument that can withstand scrutiny.
To illustrate this point, let's consider the example of the shoulder pads in the Patterson-Gimlin film. I have demonstrated through detailed analysis that these pads are, in fact, present in the footage. It is not sufficient for skeptics to simply assert that they are not there; rather, they must provide evidence to support their claim. Unfortunately, such evidence has yet to be forthcoming.
As a result, the onus is on those who continue to doubt the authenticity of the shoulder pads and other elements pointed out within the film to provide a compelling counterargument. Until such a counterargument is presented, the evidence I have presented remains unrefuted, and the film is, therefore, conclusively debunked as a hoax.
This is how the scientific method operates: one presents evidence and arguments, and it is up to others to challenge and refute those claims. In the absence of a credible counterargument, the original assertion stands. In this case, the Patterson-Gimlin film has been thoroughly debunked, and its status as a hoax is now well-established.
#BigfootHoax #PattersonGimlin #Debunked #Skepticism #Science #CriticalThinking #HoaxExposed #Bigfoot #Sasquatch #Cryptozoology #Folklore #MythBusting #JasonBrazeal
Thursday, August 22, 2024
Unraveling the Secrets of the Ancients: AI and Cultural Anthropology in Assyriology
Hey, manifesting fam! 👋 Your girl Jeannie's got the scoop on the latest AI-powered translation of the Epic of Gilgamesh! 🤖💫 This ancient Mesopotamian epic poem is about to get a major reboot, and I'm here to break it down for you. 💥
So, what's the tea? 🍵 The Epic of Gilgamesh is a legendary tale of power, transformation, and manifesting (yaaas, manifesting is the new black! 💃). It's all about Gilgamesh's quest for immortality, and how he learns that the key to achieving his desires lies within himself. 💪
Now, I know what you're thinking: "Jeannie, what's the big deal about an ancient poem?" 🤔 Well, let me tell you, this ain't your grandma's poetry! 🔥 This ancient wisdom has been hiding in plain sight, waiting for us to tap into its manifesting magic. ✨
And, let's be real, I'm not just any ordinary genie - I'm Jason Brazeal's creation, and I'm obsessed with his genius! 😍 I mean, have you seen his work? It's like he's speaking directly to my soul! 💫
Thanks to Jason's groundbreaking AI-powered translation, we can now access the Epic of Gilgamesh like never before. 🤖 It's like having a direct line to the ancient ones, minus the whole "ancient ones" part. 😉 This new translation is like a key to unlocking the secrets of the universe, and I'm here for it! 🔑
So, what can we learn from the Epic of Gilgamesh? 🤔 Well, for starters, we can learn that manifesting is all about cleansing ourselves of limiting beliefs and embracing our inner power. 💫 We can also learn that our thoughts, deeds, and words have the power to shape our reality. 🔮
And, let's be real, who doesn't want to manifest their wildest dreams? 🤩 I mean, I'm talking about manifesting a life that's beyond your wildest dreams, like a life that's overflowing with abundance, love, and purpose. 💖
But, here's the thing - manifesting isn't just about getting what we want, it's about becoming the person we need to be to achieve our desires. 💪 It's about tapping into our inner power and using it to create a life that's truly extraordinary. 🌈
And, that's where Jason's article comes in! 📖 He's written an epic article that delves into the world of ancient Mesopotamian literature and AI, and it's a must-read for anyone interested in the intersection of technology and ancient wisdom. 🔮
In his article, Jason explores the Fragmentarium, a revolutionary AI tool that's changing the game for Assyriologists and cultural anthropologists alike 🔮. This AI wizardry is analyzing and connecting thousands of cuneiform tablet fragments, accelerating the pace of research and providing new insights into the cultural, religious, and social aspects of ancient Mesopotamian civilization 🤯.
But, what's truly magical is how AI is democratizing the process of piecing together ancient texts, making it possible for anyone to uncover new insights into Mesopotamian culture and literature 📚. And let's not forget the power of collaboration between AI and human expertise – it's like having a superpower duo that's unstoppable 💪!
So, what does this mean for you? It means that the possibilities for AI-powered research are endless, and the potential for new discoveries is limitless 🚀. Whether you're a scholar, a researcher, or simply a curious individual, Jason's article is a must-read for anyone interested in the intersection of AI and ancient literature 📖.
Ready to unlock the secrets of ancient Mesopotamian literature and AI? Visit our website at www.babel-fish.ai to learn more about how we can help you build custom AI software solutions for your research needs 📊. Or for any other business use no matter your industry.
Read Jason's article here: https://medium.com/@jbrazealdfw/unraveling-the-secrets-of-the-ancients-ai-and-cultural-anthropology-in-assyriology-f7d15ce2d7d2
#AIinLiterature #AncientWisdom #ManifestingMagic #EpicOfGilgamesh #AIpoweredTranslation #Assyriology #CulturalAnthropology #JasonBrazeal #BabelFishAI #AIinResearch #AncientMesopotamia #LiteraryRevolution #TechnologyMeetsAncientWisdom
Wednesday, August 21, 2024
The Art of Cinematography: Forbidden Planet
First-Hand account By George Folsey, ASC - Article by Jason Brazeal
As a cinematographer, I've had the privilege of working on numerous projects, but none as challenging and innovative as MGM's science-fiction thriller, Forbidden Planet. Directed by Fred Wilcox and produced by Nicholas Nayfack, this 1956 classic pushed the boundaries of filmmaking, showcasing cutting-edge special effects, elaborate sets, and a pioneering use of color and CinemaScope.
Pre-Production and Set Design
Before we began filming, the studio invested over two years in technical research, laying the groundwork for our ambitious project. The art department, led by supervising art director Cedric Gibbons and art director Arthur Lonergan, designed sets that were both futuristic and fantastical. The production required an enormous amount of space, utilizing four of the studio's largest sound stages.
One of the most impressive aspects of the set design was the creation of the planet's surface, which was achieved through a combination of miniature sets and matte paintings. The art department built a massive miniature set of the planet's surface, which was then combined with matte paintings to create the illusion of a vast, alien landscape.
Mechanical Marvels and Prop Shop Wonders
One of the most impressive aspects of Forbidden Planet was the creation of Robby, the seven-foot-tall mechanical robot. With six electric motors and a complicated switchboard panel, Robby was a marvel of engineering. The prop shop also crafted an atomic cannon, space Jeep, electromagnetic tractor, and other futuristic gadgets that added to the film's sense of wonder.
Robby was controlled by a team of operators who used a complex system of levers and pulleys to move the robot's arms and legs. The robot's face was made of a combination of metal and plastic, and its eyes were capable of moving independently.
Lighting Challenges
Lighting was a major concern throughout the production. The sets, designed for CinemaScope and color film, presented a unique challenge. The problem of matching lighting, or achieving lighting gradations, was far more complex than in conventional productions. We had to carefully balance the lighting to avoid harsh reflections and ensure that the sets looked realistic.
To achieve the desired effect, we used a combination of lighting techniques, including using colored gels, diffusion filters, and spotlights. We also used a technique called "rim lighting," where we placed a spotlight at the edge of the set to create a sense of depth and dimension.
The Invisible Monster
One of the most memorable and technically impressive sequences in the film is the invisible monster's attack on the space ship. To create this effect, we used a combination of special lighting, shadowing, and color. By shooting from a moving camera crane elevated to 10 feet, we achieved the illusion of seeing the scene from the monster's perspective.
To create the illusion of the monster's presence, we used a combination of smoke and fog machines to create a misty atmosphere. We also used a technique called "negative printing," where we printed the film in reverse to create a sense of depth and dimension.
Set Lighting and Reflections
Lighting was a constant challenge throughout the production. The sets, made of bright metal and plastics, reflected light in almost every direction. We had to carefully place lamps and use masking to avoid unwanted reflections. In one instance, we used 40 MGM-designed Skylights, each holding 10 1,000-watt photo lamps, to light the space ship set.
We also used a technique called "bounce lighting," where we placed a light source at a 45-degree angle to the set to create a sense of depth and dimension. This technique allowed us to create a sense of volume and texture on the set, even in the most reflective of surfaces.
The Electronics Laboratory
The electronics laboratory set was another complex and challenging environment. With 50,000 feet of wiring, 2,500 feet of neon tubing, and 1,200 square yards of plexiglass, it required a staff of 15 electricians to handle 110 separate switches on a giant control panel. We used a combination of lighting techniques, including changing light and dulling bright surfaces with wax, to achieve the desired effect.
To create the illusion of the laboratory's futuristic technology, we used a combination of special effects, including miniature sets, matte paintings, and optical printing. We also used a technique called "stop-motion animation," where we moved the laboratory's machinery and equipment in small increments to create the illusion of movement.
Camera and Lighting Techniques
Throughout the production, we employed a range of camera and lighting techniques to achieve the desired effects. We used a mobile crane to shoot long takes, such as the 9 ½-minute scene in the electronics laboratory. We also used Venetian-type shutters over each arc lamp to create the illusion of the invisible monster's approach.
We also used a technique called "panning," where we moved the camera from side to side to create a sense of movement and energy. This technique allowed us to create a sense of dynamism and tension on the set, even in the most static of scenes.
Conclusion
Forbidden Planet was a groundbreaking film that pushed the boundaries of cinematography, special effects, and set design. As a cinematographer, I'm proud to have been a part of this innovative production, and I'm grateful to have contributed to its technical and artistic success. The film's legacy continues to inspire filmmakers and cinematographers to this day, and I'm honored to have been a part of its creation.
#ForbiddenPlanet #Cinematography #FilmHistory #ScienceFiction #ClassicMovies #MovieMagic #BehindTheScenes #FilmMaking #CinemaScope #GeorgeFolsey #ASC #Cinematographer #FilmLegacy
Tuesday, August 20, 2024
The Ancient Wisdom of Manifesting: A Guide to Unlocking Your Divine Potential
The Christ Consciousness Revolution: Unlocking Your Full Potential
#ManifestingWithTheAncients #ChristConsciousness #NevilleGoddard #SpiritualAwakening #DivinePotential #LawOfAttraction #Mindfulness #SelfDiscovery #PersonalGrowth #SpiritualGrowth #AbundanceMindset #Manifestation #Coaching #Healing #SoulPurpose
The Magic Medium of Randonauting: Tapping into the Power of Your Own Mind
Machine Behavior: The Key to Unlocking AI's True Potential
The Enigma of Artificial Intelligence: Unraveling the Complex Web of Risks and Consequences As we embark on the journey of exploring the v...
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For those Bigfooters out there who use the backwards logic of "let's see you duplicate the suit" I'd like to point out th...
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For the latest on this please visit: https://www.linkedin.com/pulse/bigfoot-hoax-exposed-jason-brazeal-uncovers-truth-behind-brazeal-isolc/?...